Did you think I had forgotten? I still keep a list, although I am not convinced that the May reading list reflects anything more than random unsettledness. But first, the List:
39. Ruth. J. Gendler, The Book of Qualities.
40. Việt Thanh Nguyễn, The Committed.
41. Karin Slaughter, Unseen.
42. C.S. Wilkins, Breezy in Bandera.
43. Karin Slaughter, The Kept Woman.
44. Gail Honeyman, Eleanor Oliphant is Completely Fine.
45. George Gissing, The Odd Woman.
46. Lee Miller, Landscape Design Combinations.
47. Bryan Chick, The Secret Zoo.
48. Tom Robb Smith, Child 44.
49. Karin Slaughter, The Last Widow.
50. Olga Ravn, The Employees.
51. Ann Cleeves, The Long Call.
52. Carole Grace, That's Amore.
Let's see, five suspense novels, three of them by Karin Slaughter. I have been slowly, intermittently, working my way through the Sara Linton novels, and although I was beginning to waver during the end of the first series, with Will Trent I have become more engaged. I connected with Sara Linton from the first novel, small town girl, too smart, awkward, self-doubting -- she is a character I can understand and it is for this reason that I continue to read. The brutality of the novels doesn't really bother me. Sara and Will are sufficiently complicated to carry me through and I always learn something, feel my time was rewarded even if that reward is simply escape into a world so completely outside my own experience.
As to the other two, Ann Cleeves is a new to me author who has been oft recommended. I saw The Long Call at the library and picked it up. Alas it is a new series and now I have to wait months for the second book. I have sought out some of Cleeves' previous novels. More about that later. Matthew Venn is a fine character with a sharp mind, the story is complex and richly woven with both intricate relationships, a great slow-burn of a story that peaks near the end of the book and was quite a bit more complicated than I expected it to be.
Tom Robb Smith's Child 44 is another slow burn, but this one is dark, raw, and emotionally draining. Unlike Slaughter, whose brutality and darkness is somehow separate from the reader, at least this reader, this novel seeps under one's skin and explores humanity's deepest emotions in a way that is quite unsettling. Smith accomplishes this while telling a gripping story, one I had read before. I didn't realize this until I was in to it, but I read this years ago, when it first came out in paperback, either when George was sick, or I was packing to move, a raw and emotionally draining period in my own life. The book was worth reading again and it managed to surprise me even on this second reading. Leo Demidov is a fascinating character, both filled with strength and conviction as well as doubt, but perhaps those are necessary balances, each bolstering the other. I might well read the next.
Intermingled with the mystery/suspense were two literary novels. Viet Thanh Nguyen's The Committed was every bit as brilliant, poetic, sarcastic, dark, cutting and outrageously humorous as The Sympathizer, except without the fine line of hope in the face of despair that ran through the previous novel. I loved it but it also left me feeling cold and unsettled in my bones. Both novels are disturbing in that they cut right to the heart of who people are, the way we act, and the stories we tell ourselves to hide the truth of our lives from ourselves and each other. In that sense these are not happy escape novels. But they are brilliant, insightful, intelligent, witty, poetic, and incredibly humorous. Nguyen has a way of capturing a scene, an emotion, a way of wrapping truth and a story in humor so that you don't notice you are bleeding until after you have rolled on the floor in laughter.
Olga Ravn's The Employeees is a completely different kind of novel and it is not an easy read, although I do think it is brilliant and proved worth the effort. Such a short novel: science fiction; some unknown place; some unknown time. The story does not emerge linearly. In fact, we get a series of short interviews, sometimes reports, sometimes vignettes, sometimes almost poetry, and through the spacing of these interviews, the use of words and white space, Ravn explores what it means to be human, memory, self, life itself as some of her characters are human-born and some are made, artificial life. But as the story progresses the lines begin to blur and the question of who we are and how we define ourselves emerges. I found this fascinating, unsettling, but also calming in an odd sort of way. Highly recommended for those who can work their way slowly through metaphor and vague images, who can read a poem a day in search of a unifying thread.
Then there were the toss-offs, quick easy reads that I enjoyed, some more than others, at the time of reading but which are effectively completely forgettable. Landscape Design Combinations was the only non-fiction in this group and although it had lots of pretty pictures, I found nothing new or particularly inspiring in it -- an afternoon of garden pictures that will have no impact on my future gardens. Of the remaining books, Eleanor Oliphant was probably the best of the lot. It is a rather quirky novel, and the author does a good job of hinting at Eleanor's past without either revealing too much or too little. Eleanor herself is endearing and charming, and I loved her unintentional sense of humor. An excellent feel-good read with little long-term impact. I don't know how The Secret Zoo ended up on my stack; the cover perhaps? It is a children's novel, but not a good one although I initially thought the premise was interesting. It reads much like a bad children's movie, pandering to stereotypes with shallow character development. That said, probably my 8 year old self would have loved it. That's Amore is a romance, given to me by a friend in a period when I was having trouble reading or settling down, and it surprised me with how good it was. The writing is crisp, and there is wit in the dialogue despite the other tropes of the formula. It is a bit out of date for modern tastes in this genre, sweet and romantic, with no steamy scenes, not that I am objecting. A perfect novel for when you crave inane feel-good fun.
Now let's deal with George Gissing. I did not like The Odd Woman. It reminded me of all the worst things about Victorian Literature, and there are Victorian authors I adore and whose writing withstands the passage of time. Not Gissing. Of course don't tell my former college student self that I ever admitting to liking anything Victorian. That girl thought literature stopped in 1800. Yes, we all have our faults. That said, there were many good things about this book. It was filled with shocking and valuable information about the plight of women in Victorian England. Alas for Gissing he is no Upton Sinclair and I would be surprised if this story provoked outrage, which is a shame. I did find it interesting, upon reading this, as I noticed how many of these same biases still shape our understanding of women's worth and women's work today. Gissing was excellent at sussing out the foibles of people of society (then and now) and their blind spots and self-delusions. In fact, I wished I was reading an in-depth sociological study rather than a novel; that, perhaps, I could have appreciated.
And what are those two remaining books? The green ones? Those are little frivolous bits of fluff that surprised me and which I adored. J. Ruth Gendler's The Book of Qualities is a brief book, an alphabet book of sorts, although dealing with emotions and qualities. I found it charming, and although yes, sometimes the analogies are simple, they are also at times quite profound. I breezed through this book once, and keep it near my mediation chair as I find it often offers a perfect diving board for reflection on those mornings when I am too scattered, too tired, to nauseated, to settle my mind. And since I have already. said I "breezed" through The Book of Qualities, that brings up our last book, Breezy in Bandera. Bandera is a town in the Texas Hill Country, and this novel was written by a blogger whom I have followed for a few years now, although never really commenting. I think I found her through knitting, but she is a fabulous weaver and inspires me, even though I have not yet warped my loom. I found the story well written (it is a romance), and I felt at home with the descriptions of place, as if I was back in familiar territory. with a character I could relate to (an introvert who loves to cook and feed people and weave). Yeah. My kind of story. Make no excuses for what you love. I am looking forward to the second book.