Last night, as I settled into my seat at the Bijou Theater waiting for the concert to begin, I wondered if being there was really a good idea. It had been a long day. I had not slept enough the night before and had managed to get myself through my morning meeting only by virtue of a steady slow stream of caffeine. And although I was fine during an afternoon with friends, I was fading fast during the drive home from Farragut. Traffic was heavy and slow, and I found myself drifting off to sleep at traffic lights.
I had 20 minutes at home, enough time to feed Tikka and Moisés, and take Tikka for a far too short walk while I drank a double shot of espresso. Then, knowing that I had been waiting for months to hear The Bad Plus and the Kronos Quartet in Knoxville, I headed downtown. It was worth a try and I could always head home again.
In the end it was well worthwhile. The first concert I attended was a performance by The Bad Plus. In the opening they sat on stage, a video behind them, recorded music..... but the instant they began to play I snapped out of my transitional fugue into bright sharp alertness. It was as if sunshine filled my body and every cell blossomed forth in alertness, and I snapped to attention.
They began with their reimagining of Stravinsky's Rite of Spring, and the way in which I find new understandings every time I hear this work continues to amaze me., To both see and hear it live was a marvel. Drummer Dave King's mastery of techniques and the way he coaxed and controlled sounds made me wish my grandson Owen could be watching and listening, even though I am not sure I really want him to hear the Rite of Spring quite yet. I knew that piece of music when I was very close to his age, but now I am more protective, I don't want him to hear what I hear in this music, although of course I have no memory of what I actually heard when I was 9. At least The Bad Plus's vision of The Right of Spring is not as brooding and menacing as the original and lacks that sense of bone-crushing darkness that the best orchestral performances bring to the Rite.
I was sitting near the front, in front of Bassist Reid Anderson, and his technique, sinuous and controlled, forceful and gentle, was fascinating. For once I was not watching the pianist, not that Ethan Iverson isn't worth watching at any time. It was a fabulous performance, vibrant and alive, and incredibly moving and thought provoking, both the Stravinsky and the group's own compositions.
After the concert I felt eager and alive and filled with excitement, much in the way that my 20-something self would be filled with excitement after heading off to BAM. I knew I wasn't ready to head home. I saw a young woman, a friend, hepped-up, and excited and I remembered those days, when I would be virtually vibrating with excitement and energy. Alas no more; by brain was buzzing but my body was continuing to wilt.
My plan had been to attend the Kronos Quartet concert, but I wondered, temporarily, if I should head off to hear Tyondai Braxton instead as that performance was shorter. I opted for the Kronos Quartet, and in retrospect I think it was a good choice, for me. Once again the music revived me. Yes even the music of minimalist Terry Riley, plucked at the sinews of my brain waves and caused them to vibrate in excitement. The Cusp of Magic is a quintet, written for the Kronos Quartet and Wu Man, who performed it last night. It was a fascinating and marvelous piece, simultaneously jarring and soothing, a piece of music with very controlled effects that somehow seem serendipitous, as if you alone are just learning something for the first time. This closing (for me) concert made me think of the way the world exists in multiple layers and levels, and the way we find our way through the fractured prisms, thinking we are on a clear path, and only occasionally being startled into realizing that what se see is just a fragment.
All in all it proved to be a good day, full yes, but filled with individual activities that still seemed somehow to mesh together into something else. And it was honoring this wish within myself, to indulge myself in the music, that brought it all together: The photo above is of a bottle stopper I purchased in Sweetwater during my afternoon shopping trip with friends. It is made from a vintage pool ball, and although it is a little large and heavy on the bottle when viewed solo, I love the way it fits into the liquor case amidst the other bottles. The photo reminds me somehow of the fracture lines of thoughts in my mind following the concert, or is the music that makes me fond of this photo? Perhaps a little of both.